1/6/2023 0 Comments Enterprise 2 grammar vk![]() ![]() Diane also enjoys combining other media with her ceramics to add contrasts in colour and texture. Throwing, hand-building and slip casting methods are all employed. She use a combination of techniques to create her pieces. To view and purchase Ruth’s work, please visit our Online Ceramics Shop.Īfter discovering a love for clay at an early age, Diane went on to study ceramics at degree level and has been working with ceramics ever since. Inspiration for shapes comes from many places including architecture and product design. Ruth enjoys making interesting pieces that people want to pick up, hold and take home. Colour, texture and contrast are all very important to her and she often uses a matt underglaze against the high shine of glaze. Ruth uses glazes that enhance the ridges and troughs of the imprinted clay. A linocut that Ruth often uses was inspired by a visit to Ely Cathedral, another is a wren design which was inspired by wildlife photography. One of her favourite reference books for pattern is ‘The Grammar of Ornament’ by Victorian designer Owen Jones. One surface on each piece is imprinted with pattern using a linocut, making her work individual and customisable.ĭesigning her own patterns and cutting her own lino is an important part of her ceramic practice. All of her work is handbuilt from slabs of clay. Ruth enjoys contrasts and uses a range of colourful glazes and underglazes to enhance patterns, textures and shapes. Ruth works from her garden studio in Cambridgeshire where her ceramics are imprinted with patterns of her own design, and are shaped into forms that are functional, sculptural or somewhere in between. To view and purchase Rachel’s work, please visit our Online Ceramics Shop. Rachel is interested in how these sensibilities cross over into ceramic materials. ![]() Rachel's surface decoration looks to the traditional pattern making techniques of stencilling, block printing and paper cutting, which she uses in conjunction with modern technologies such as laser and plotter cutting. Her wares are to be used and cherished, encouraging positive and unique experiences. ![]() The forms of her tableware are designed with a consideration for balance and harmony. Using glazed and unglazed ceramic surfaces, Rachel strives to produce long lasting items that intimately consider material quality, colour and functionality. Travel is an important influence of Rachel's palette and the forms that she makes. Over the years, Rachel has developed a vast colour library of ceramic materials, which she has gathered when 'colour mapping' by undertaking colour surveys in chromatic cities such as Barcelona, Buenos Aires and Athens. Rachel is a studio ceramist and designer maker from Wales, making functional tableware and decorative panels. Colour, tactility and material quality are central to her work, using porcelain and stoneware clays. ![]()
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